| 2:50 | Est. Play Time |
| 26 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Solo |  |
20 | 0 | 3 | 10 | 100% |
| Contrabass Solo | |
17 | 0 | 3 | 6 | 100% |
| View all 14 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Solo | |
20 | 0 | 3 | 10 | 100% |
| Contrabass Solo | |
17 | 0 | 3 | 6 | 100% |
| Oboe |  |
17 | 0 | 3 | 9 | 92% |
| Harpsichord | |
20 | 29 | 3 | 7 | 85% |
|
17 | 7 | 3 | 6 | 88% | |
| Contrabasses | |
16 | 0 | 3 | 6 | 88% |
| Violas | 12 | 0 | 3 | 7 | 88% | |
| Violins 1 |
|
19 | 0 | 4 | 7 | 88% |
| Violins 2 |
|
15 | 0 | 2 | 6 | 88% |
| Violins 3 |
|
13 | 0 | 1 | 6 | 88% |
| Violoncello Continuo | |
17 | 0 | 3 | 6 | 88% |
| Violoncellos | |
16 | 0 | 3 | 6 | 88% |
| Violoncello | |
18 | 0 | 3 | 6 | 85% |
| Almirena | 13 | 0 | 3 | 8 | 54% |
| 1:56 | Est. Play Time |
| 54 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
20 | 26 | 6 | 5 | 100% |
|
18 | 15 | 4 | 5 | 100% | |
| View all 5 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
20 | 26 | 6 | 5 | 100% |
|
18 | 15 | 4 | 5 | 100% | |
| Contrabass Continuo | |
17 | 0 | 4 | 5 | 100% |
| Violoncello Continuo | |
17 | 0 | 4 | 5 | 100% |
| Tenor as Fernando |
15 | 0 | 5 | 5 | 67% |
| 2:30 | Est. Play Time |
| 85 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
21 | 43 | 7 | 4 | 96% |
|
24 | 26 | 7 | 4 | 100% | |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
21 | 43 | 7 | 4 | 96% |
|
24 | 26 | 7 | 4 | 100% | |
| Bassoon Continuo | |
20 | 0 | 4 | 4 | 100% |
| Double Bass | |
19 | 0 | 4 | 4 | 100% |
| Bass as Consalvo |
|
12 | 0 | 3 | 6 | 65% |
| Oboe 1 |
|
15 | 0 | 2 | 5 | 53% |
| Oboe 2 |
|
16 | 0 | 4 | 5 | 52% |
| 2:58 | Est. Play Time |
| 77 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| Violoncello (Continuo) | |
19 | 0 | 3 | 6 | 100% |
| Alto as Dorinda |
15 | 0 | 4 | 8 | 78% | |
| Contrabasses | |
8 | 0 | 0 | 3 | 8% |
| Viola | 10 | 0 | 0 | 3 | 8% | |
| Violins
I |
|
11 | 0 | 0 | 5 | 8% |
| Violins
II |
|
10 | 0 | 0 | 3 | 8% |
| Violoncellos | |
8 | 0 | 0 | 3 | 8% |
| 5:20 | Est. Play Time |
| 44 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
19 | 40 | 6 | 7 | 79% |
|
30 | 38 | 9 | 5 | 97% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
19 | 40 | 6 | 7 | 79% |
|
30 | 38 | 9 | 5 | 97% | |
| Violoncello Continuo | |
23 | 0 | 7 | 5 | 97% |
| Arsace | 18 | 0 | 6 | 7 | 74% | |
| Violini | |
21 | 5 | 4 | 4 | 66% |
| Contrabassi Continuo | |
19 | 0 | 4 | 5 | 63% |
| Contrabasso Continuo | |
19 | 0 | 4 | 5 | 63% |
| Violoncelli Continuo | |
19 | 0 | 4 | 5 | 63% |
| 5:20 | Est. Play Time |
| 51 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 40 | 3 | 8 | 70% |
|
23 | 24 | 4 | 5 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 40 | 3 | 8 | 70% |
|
23 | 24 | 4 | 5 | 100% | |
| Violoncello | |
20 | 0 | 3 | 5 | 100% |
| Mirtillo | 17 | 0 | 6 | 6 | 76% | |
| Contrabasses | |
8 | 0 | 0 | 5 | 10% |
| Viola | 9 | 0 | 0 | 4 | 10% | |
| Violins 1 |
|
9 | 0 | 0 | 5 | 10% |
| Violins 2 |
|
10 | 0 | 0 | 4 | 10% |
| Violoncellos | |
8 | 0 | 0 | 5 | 10% |
| 6:14 | Est. Play Time |
| 85 | Measures |
| 1,786Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
18 | 35 | 3 | 4 | 100% |
|
21 | 68 | 4 | 4 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
18 | 35 | 3 | 4 | 100% |
|
21 | 68 | 4 | 4 | 100% | |
| Violoncello Continuo | |
20 | 0 | 3 | 4 | 99% |
| Vln 1 |
|
24 | 0 | 6 | 3 | 81% |
| Vln 2 |
|
23 | 0 | 6 | 3 | 81% |
| Kontrebaß | |
22 | 0 | 4 | 3 | 78% |
| Berengario | 18 | 0 | 5 | 7 | 69% | |
| Violas | 16 | 0 | 4 | 3 | 46% |
